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philadelphia soul genre

The first group was the Delfonics, and their breakout LP La La Means I Love You, which presents the basic tenets of Philly soul group vocals later perfected by Harold Melvin and the Stylistics. 1715GF, Label:Grassroots Records (2) Another Thom Bell group, the Stylistics were as close to a boy band that Philly soul ever got; their lead singer Russell Thompkins Jr. had bubblegum-sweet high vocals, lending his group’s songs a tenderness similar to groups like the Jackson 5. Part of Time Life's extensive Sweet Soul of the ‘70s series, The Sound of Philadelphia provides a two-disc overview of Philly soul, with Kenny Gamble and Leon Huff's Philadelphia International rightly given much of the spotlight. While Gamble & Huff were making Philly soul as producers and at Philadelphia International, Thom Bell was arguably having as much of an impact on the shape of Philly soul while producing records for a series of vocal groups recording for Philly Groove. Cat N°: Cat N°: Philly soul anticipated a lot of stylistic changes in black music in the early ’70s, none more so than anticipating how quiet storm R&B and disco would foreground getting busy. État Pochette: The whole thing is similarly as cracking, an absolutely essential album that belongs in literally every record collection. Philadelphia soul songwriters and producers included Bobby Martin,[5] Thom Bell, Linda Creed, Norman Harris, Dexter Wansel, and the production teams of McFadden & Whitehead and Gamble & Huff of Philadelphia International Records, who worked with a stable of studio musicians to develop the unique Philadelphia sound used as backing for many different singing acts. … Though this former Impressions member wasn’t originally on Philadelphia International — he was on semi-major Mercury — his contribution to Philly soul is largely that his records are where Gamble & Huff figured out the sound of Philly soul, producing a string of albums for Butler in the late ’60s. The genre laid the groundwork for disco by fusing the R&B rhythm sections of the 1960s with the pop vocal tradition, and featuring a slightly more pronounced jazz influence in its melodic structures and arrangements. Generic, Label:Island Records (7", Single), Jermaine Jackson - Let's Get Serious (7"), Patti Austin - Rhythm Of The Street (7", Promo), Frankie Valli - My Eyes Adored You (7", Single, Styrene, PRC). Andrew Winistorfer is Vinyl Me, Please’s Editorial Director, VMP Classics A&R, and an editor of their books, 100 Albums You Need In Your Collection and The Best Record Stores In The United States. [7], This article is about the musical genre. Le single est numéro 1 aux États-Unis dans le classement Hot 100 du magazine Billboard au printemps 1974 et y reste pendant deux semaines. Cat N°: For the arena football team, see, "Philly Soul Music Genre Overview - AllMusic", "Bunny Sigler, Who Helped Create 1970s Philly Sound, Dies", "R.I.P. Un autre remake de la chanson est réalisé en 1978 par le groupe de reggae Inner Circle, qui a une tradition de reprises de chansons soul américaines dans le style décontracté du reggae de la fin des années 1970. Cat N°: "TSOP (The Sound of Philadelphia)" is a 1974 hit recording by MFSB featuring vocals by The Three Degrees. Philadelphia was a different city than Detroit or Memphis; it was more entrenched as a metropolis, less beholden to manufacturing, more urbane. TSOP (The Sound of Philadelphia) est un enregistrement à succès du groupe MFSB, avec des chœurs par The Three Degrees, paru en 1974. La chanson est également jouée après les matchs à domicile à l'Empire Stadium des footballeurs les Whitecaps de Vancouver à la fin des années 1970 et au début des années 1980, puis ceux des Vancouver 86ers à la fin des années 1980 et au début des années 1990. La dernière modification de cette page a été faite le 1 juillet 2020 à 18:54. Which is why it makes sense that the best definition of the genre is “putting the bow tie on funk,” as James Brown trombonist Fred Wesley told an interviewer once. Building on the steady groove of Hi Records and Stax/Volt singles, Philly soul added sweeping strings, seductive horns, and lush arrangements to the deep rhythms. Their 1976 hit by Double Exposure, "Ten Percent", was the first commercial 12-inch single. Philadelphia Nature . Pochette: This Philly Soul sound later became a prominent and … It was founded in 1971 by the writer-producer duo, Kenneth Gamble and Leon Huff, along with their long time collaborator Thom Bell. There’s very little debate over who the defining artist of Philadelphia soul is: It’s Theodore DeReese Pendergrass. Founded in 1971, Philadelphia International gave a label face to the sounds of Philly Soul, which had been percolating and building into its own thing alongside the strains of soul in Detroit and Memphis. Ironically, Philly Soul's lush romanticism and simple funk gave birth to the rise of disco later in the decade, a genre which would eventually supplant it, though the genre's stars merely adapted slightly to stay popular. Earl Young (batterie), Ronald Baker (basse), Norman Harris (guitare) et Leon Huff (orgue) sont les musiciens du morceau, accompagnés par le Philadelphia Symphony Orchestra pour les violons et les cuivres[3]. Soul music (often referred to simply as soul) is a popular music genre that originated in the African American community throughout the United States in the 1950s and early 1960s. The Three Degrees culminent à nouveau en haut du classement AC plus tard en 1974 avec leur single à succès, When Will I See You Again. Cat N°: It originated with the activity from the Philly Groove Records label and then developed further in the 1970s by Philadelphia International Records. TSOP est enregistré par MFSB au Sigma Sound Studios de Philadelphie, avec Joe Tarsia pour ingénieur du son et des arrangements par Bobby Martin. Funk / Soul Disques Vinyles, CDs et Plus from philadelphiamusic En Vente sur la Marketplace Discogs Philadelphia (or Philly) soul, sometimes called the Philadelphia sound or Sweet Philly, is a genre of soul music characterized by funk influences and lush instrumental arrangements, often featuring sweeping strings and piercing horns.The subtle sound of a vibraphone can often be heard in the background of Philly soul songs. Good Plus (G+) Le groupe britannique Dexys Midnight Runners l'enregistre pour la face B de la version maxi 45 tours du single Jackie Wilson Said en 1982. Cornelius admettra plus tard que ne pas permettre au single d'être intitulé Soul Train était une erreur majeure de sa part[7] (en conséquence, le chant du titre de l'émission Soul Train par les Three Degrees dans le refrain, tel qu'il est entendu sur la version TV, ne figure pas sur le single). They took the grimy grooves of funk and soul, and added complex string arrangements and jazzy incantations, making stars of performers like Jerry Butler and Teddy Pendergrass and bands like the O’Jays and the Delfonics. Pilipinas, Game KNB?, un jeu télévisé philippin utilise comme thème une adaptation de TSOP appelée Papayo Yowza. La chanson est utilisée comme générique de Soul Train pour la première fois le 27 octobre 1973, en remplacement de Hot Potatoes de King Curtis[4]. Les mots « People all over the world! https://fr.wikipedia.org/w/index.php?title=TSOP_(The_Sound_of_Philadelphia)&oldid=172529363, Single numéro un dans le Billboard Hot 100, Single numéro un dans le Hot R&B/Hip-Hop Songs, Single numéro un dans le Hot Adult Contemporary Tracks, Portail:Époque contemporaine/Articles liés, licence Creative Commons attribution, partage dans les mêmes conditions, comment citer les auteurs et mentionner la licence. Cat N°: Cat N°: Very Good (VG) Philadelphia was a different city than Detroit or Memphis; it was more entrenched as a metropolis, less beholden to manufacturing, more urbane. L'intro de la chanson est également utilisée pour servir de jingle à tous les matchs de basket des 76ers de Philadelphie diffusés sur la radio WCAU-AM entre le milieu et la fin des années 1970 et aussi pour la pause publicitaire lors des matchs de NBA sur CBS Sports du début des séries éliminatoires de 1975 jusqu'à la finale de 1976. 161, Label:Columbia Very Good Plus (VG+) Many of these musicians would record as the instrumental group MFSB, which had a hit with the seminal Philadelphia soul song "TSOP (The Sound of Philadelphia)" in 1974[6] . The Soul have made five ArenaBowl appearances, winning their first appearance (2008 against the San Jose SaberCats) and losing their next two appearances (2012 and 2013 both to the Arizona Rattlers). Cat N°: La version enregistrée pour Soul Train comporte également le titre de la série chanté sur les quatre premières notes de la mélodie, « Soul Train, Soul Train ». Any of his solo albums after leaving Harold Melvin & The Blue Notes is essential, but Teddy is peak boom-boom music, a masterpiece for the bedroom. Sharing is caring! Thank you for spreading the word. The single was released on the Philadelphia International label. He’s written Listening Notes booklets for 14 Vinyl Me, Please Classics releases, and co-produced Nat Turner Rebellion's Laugh to Keep From Crying. Philadelphia Santé & Bien-être. État Pochette: Greaves - Take A Letter Maria / Big Bad City (7", Single, Spe), Ray Charles - Louise (7", Single, Jukebox, Styrene), Faze-O - Riding High / True Love (7", Single), Rick James - High On Your Love Suite (7", Promo), Dennis Edwards - Don't Look Any Further (7"), Miss Chuckle Cherry - (Females Answer To Ding-A-Ling) My Pussycat (7"), Richard "Dimples" Fields* - People Treat You Funky (When Ya Ain't Got No Money!) Comments Read More. Founded in 1971, Philadelphia International gave a label face to the sounds of Philly Soul, which had been percolating and building into its own thing alongside the strains of soul in Detroit and Memphis.

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